films
Before this became my life's work, I studied economics. Philosophy stayed a constant interest of mine ever since, the kind you don't abandon, you just carry it into whatever you end up doing. I think it shaped something specific in how I see a wedding day: philosophy trains you to sit with contradiction instead of resolving it too quickly, to notice that two true things can exist in the same moment without canceling each other out. A wedding is exactly that: joy and loss in the same breath (someone is always leaving a family, not just joining one), formality and chaos, a script everyone follows and a hundred things no one planned. Most films choose a side. I've never wanted to.
After fifteen years of filming weddings, I've come to believe a wedding film has one real job: to hold on to something that would otherwise disappear. Two lives, two worlds, compressed into a few hours. Once the day is over, all that remains is what was captured.
I watch closely enough to catch what matters, the vows, but also the moment right after, when no one's performing anymore. The sacred and the ordinary happen side by side on a wedding day, often in the same breath, and I try to keep both in frame rather than choosing one.
I don't take any of it too seriously, though. A wedding day is full of irony, awkwardness, and moments that are genuinely funny, and I think a film that pretends otherwise is lying by omission. Some of my favorite shots are the ones nobody would call elegant.
In the edit, my job changes. I'm no longer watching, I'm listening back, looking for what the day was really saying beneath what it seemed to be saying. The rhythm that comes out of that is rarely the one you'd expect: it swings, it pauses where you don't expect a pause, it laughs right before it moves you. That unevenness isn't a flaw I'm smoothing over, it's the truest thing about the day, and I try to keep it exactly that raw.
None of this is a fixed formula. My style keeps shifting, year after year, wedding after wedding, because the couples change, and so should the way I see them.
based in italy, available worldwide. i work solo, with a second camera, or lead a full crew when the scale of the day calls for it. since 2011.
Where are you based and do you travel for weddings?
What is your style and how do you work during the wedding day?
Do you work alone or with a team?
What's the difference between the short film and the full film?
Do you include drone and aerial footage in your wedding films?
When should we get in touch to secure our date?
What is the timeline for delivering the final wedding videos?
What's included, and how does pricing work?
CONTACT
tell me about your wedding.
I'll get back to you personally, within 48 hours.
© 2026 Martino Vincenzi - P.IVA: 04545320238
